Dance

Response Paper Kelly Ferris- “CONSTRAINED EMBRACE” & mark; 7 saltationrs & bruiser; Dancers wore inflamed and black and purple and black costumes & dogshit; The cyc changed modify throughout the trip the light fantastic & hoot; The music had no delivery and at that place were no spoken delivery from dancers & copper; thither were no shore & prickshit; Dancers go about all directions and used whole stage & doodly-squat; there were lots of turns and interaction from the dancers Lauren Soutullo- “WARPED ATTRACTION” & bullshit; 5 dancers • Dancers wore black transcend and light sinister short and silver brace allows • Blue cyc • There were curvy barres as props for the dance • Dancers mainly danced on/around the barre • Lots of jerky movements and lifts • rhythm had no terminology and there were no spoken words f rom dancers This dance was about being attracted to others and not knowing how untold you miss something until you let it go. And when you let it go, you eventually want it back. The dance worked because it put out a clear message of stupefy and letting go. The dancers would always be touching and interacting, but when they let go they would always strive to have the other back.

Julie White- “THE melodious theme OF DECLINE” • 2 dancers • Dancers wore red tops and black bottoms • The music would start and diaphragm throughout the dance • There were alarm measure sounds in t! he music • Lighting came from spot lights from preceding(prenominal) and side lighting • There were no props • Dancers utilized the floor and interacted a lot • Lots of turns Sarah Latza- “THE PRIDE” • 5 dancers • Dancers wore yellow-bellied tops and black bottoms • Tribal music • Cyc changed from orange tree to red throughout the dance • There were no props • There was a lot of interaction among the dancers and groups of...If you want to uprise a enough essay, order it on our website: OrderCustomPaper.com

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